In the late 18th century, Etteilla published four interconnected Cahiers (notebooks) and their Supplements under the shared title Manière de se récréer avec le Jeu de Cartes nommées Tarots, creating the first complete system for divination with tarot. This work became the foundation for modern tarot and cartomancy.
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This translation presents the Second Cahier and Supplement of Etteilla's Egyptian Cartonomancy, translated into English for the first time in hundreds of years. At its heart is a sequential reading of the twenty-two first hieroglyphs as a consecutive narrative of divine creation and the fall of Man — a remarkable precursor to what modern tarot practitioners call the Fool's Journey. 
This is the second in a series, with the remaining Cahiers and Supplements forthcoming.
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The title Egyptian Cartonomancy represents an attempt to restore the title closer to what Etteilla may have originally wanted before royal censors rejected it in 1782. Etteilla often referred to his tarot system as "Egyptian Cartonomancy," differentiating it from his piquet system which he called "French Cartonomancy."

The cover art pays homage to both the Etteilla I and II tarot decks. The central Justice card from the original frontispiece has been hand-painted by the author in the color palette of the Etteilla I deck engraved by Pierre-François Basan, while the border and overall composition reflect the structural design of the Etteilla II.

Meticulously translated as part of my ongoing project to make Etteilla's complete bibliography accessible to English readers for the first time in centuries with faithful close adherence to the original texts and featuring scholarly annotations with historical context and relevant insights from my personal research.